In a major corporate festival partnership with Türkiye's leading financial institution İşbank, Küntay Tarık Evren designed a large-scale custom Doodlism canvas stretched across an outdoor festival display wall. Featuring intricate line art incorporating financial motifs, music, entertainment icons, and brand elements—such as cinema tickets and cultural symbols—the wall was transformed into a giant interactive coloring installation. Festival attendees of all ages were invited to pick up markers and collectively fill in the massive design throughout the event. Evren’s continuous line framework guided the crowd’s spontaneous color choices, turning the İşbank festival zone into a high-energy hub of shared creativity, art engagement, and brand connection.

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Following the first Doodlism project in Istanbul, the collaboration continued with the second and third editions of the project, expanding to Izmir and Kayseri as part of Maximum Genç Festivali.

For each city, I created a unique 3 × 6 meter Doodlism world, built around its own local symbols, stories, and cultural details while maintaining the same visual universe.

I created the lines. Hundreds of participants brought them to life with color.

One idea. Three cities. Three unique outcomes.

Maximum Genç Festivali × Doodlism